There is something undeniably fascinating about an artist who is able to work in different disciplines. It’s a fascination comparable to how you might feel on discovering your friend’s secret talent. UK based artist, Victoria Lucas, is one of these artists. Working between sculpture, film, and photography – with a little interactive work thrown in here and there for good measure – Lucas is most certainly not a one trick pony.
With a background in sculpture, Victoria Lucas has moved into the digital arts later on in her artistic career, and has now fully established herself as an exceptional digital artist. Although Lucas admits that she is still her own biggest critic, stating that she is still working towards the “feeling of calm and satisfaction” that all artists seem to chase after. Perhaps this revelation wouldn’t come as such a surprise if Lucas didn’t have so many successful artworks to her name already. So, how does the artist who has created pieces such as, ’12 Months of Neon Love’, ‘Interruptions’, and ‘After’ repeatedly create such intriguing and diverse work? When asked to describe her own work Lucas said that she always “starts with a place”, she “finds a hook” and creating work she hopes might “make people think about things in a different way.” “I kind of experience things and I’ll find poetic meanings in certain objects and places” Lucas says, explaining a little further how the “Non-places” she randomly encounters often become perfect starting points for her work to launch off from.
Much of Lucas’s work over the past several years has been focused around these “Non-places” – places that many of us encounter and travel through or have past by on a daily basis without even batting an eyelid. This nondescript invisibility of these places to the everyday passer-by plays perfectly into Lucas’s work, as she turns the tables, photographing and videoing these usually crowded and unnoticed spaces in their unusually empty states. It is easy to understand when looking at pieces such as ‘After’ and ‘Interruptions’ how Lucas could use the word “Apocalyptic” in relation to much of her own work. Lucas takes spaces that otherwise would seem run-of-the-mill and mundane and displays them in a rather ominous and uneasy manner. The spaces themselves suddenly become void in their emptiness, and Lucas’s photographs and videos alike show much more than an idle set of stairs or an empty shopping centre – they display a lack of humanity and life, that otherwise would have gone unseen and unnoticed. “Everything will crumble and everyone will disappear.” Lucas stated, after addressing the way in which her own work helped her to “grapple with all the big questions”. Perhaps this is what makes so much of Lucas’s work, which is mostly void of any human presence, seem so human and emotive nonetheless.
Victoria Lucas had a lot of great advice for any wannabe practicing artists who might be struggling to find their footing. “Setting up your own things stops you getting really low from rejection.” Lucas advised, admitting herself that the most difficult obstacle she’d faced in her career had been the simple, yet all-important matter of, “Earning money.” Before honestly adding, “It’s a real struggle and it really affects your mental health I think. Being that close to the edge it can get quite desperate.” However, most importantly Lucas wanted aspiring artists to know that, “You have to make mistakes, you have to fail, you have to have those moments. You learn things from it and it doesn’t matter. It’s all part of striving to be an artist.” “Don’t give up and don’t be afraid to fail. Just keep pushing, even when you think it’s impossible.” If any more inspiration was needed on this point it’s very clear that Lucas herself has proved this advice to be true; using her art to work through hard times, and continuously pushing through uncertainty and financial struggle, Lucas is steadily making her way to exactly where she wants to be in life.
Finally, does Victoria Lucas believe artists can use art to change the World? “We can, in a very small way, change the world.” Lucas replied, adding, “I think artists have a lot of freedom, freedom that the media or other institutions don’t have, so we can tell things as they are. We have a really valuable responsibility to keep questioning our environment and the things that are happening.”
So, perhaps we should all start viewing art in the way Lucas does – as a platform to express our own thoughts while also forcing others to look at things from a different angle. Who knows what we could change?